Mystery Writers of America is proud to announce its Nominees for the 2006 Edgar Allan Poe Awards, honoring the best in mystery fiction, non-fiction, television and film published or produced in 2005. The Edgar Awards will be presented to the winners at our 60th Gala Banquet, April 27, 2006 at the Grand Hyatt Hotel, New York City.
BEST NOVEL
The Lincoln Lawyer by Michael Connelly (Little, Brown)
Red Leaves by Thomas H. Cook (Harcourt)
Vanish by Tess Gerritsen (Ballantine Books)
Drama City by George Pelecanos (Little, Brown)
Citizen Vince by Jess Walter (Regan Books)
BEST FIRST NOVEL BY AN AMERICAN AUTHOR
Die A Little by Megan Abbott (Simon & Schuster)
Immoral by Brian Freeman (St. Martin's Minotaur)
Run the Risk by Scott Frost (G.P. Putnam's Sons)
Hide Your Eyes by Alison Gaylin (Signet)
Officer Down by Theresa Schwegel (St. Martin's Minotaur)
BEST PAPERBACK ORIGINAL
Homicide My Own by Anne Argula (Pleasure Boat Studio)
The James Deans by Reed Farrel Coleman (Penguin - Plume)
Girl in the Glass by Jeffrey Ford (Dark Alley)
Kiss Her Goodbye by Allan Guthrie (Hard Case Crime)
Six Bad Things by Charlie Huston (Ballantine Books)
BEST FACT CRIME
Rescue Artist: A True Story of Art, Thieves, and the Hunt for a Missing Masterpiece by Edward Dolnick (HarperCollins)
The Elements of Murder: The History of Poison by John Emsley (Oxford University Press)
Written in Blood by Diane Fanning (St. Martin's True Crime)
True Story: Murder, Memoir, Mea Culpa by Michael Finkel (HarperCollins)
Desire Street: A True Story of Death and Deliverance in New Orleans by Jed Horne (Farrar, Straus & Giroux)
BEST CRITICAL/BIOGRAPHICAL
Writing and Selling Your Mystery Novel: How to Knock 'em Dead with Style by Hallie Ephron (Writer's Digest Books)
Behind the Mystery: Top Mystery Writers Interviewed by Stuart Kaminsky, photos by Laurie Roberts (Hot House Press)
The New Annotated Sherlock Holmes: The Novels edited by Leslie S. Klinger (W.W. Norton)
Discovering the Maltese Falcon and Sam Spade: The Evolution of Dashiell Hammett's Masterpiece, Including John Huston's Movie with Humphrey Bogart edited by Richard Layman (Vince Emery Productions)
Girl Sleuth: Nancy Drew and the Women Who Created Her by Melanie Rehak (Harcourt)
BEST SHORT STORY
"Born Bad" – Dangerous Women by Jeffery Deaver (Mysterious Press)
"The Catch' – Greatest Hits by James W. Hall (Carroll & Graf)
"Her Lord and Master" – Dangerous Women by Andrew Klavan (Mysterious Press)
"Misdirection" – Greatest Hits by Barbara Seranella (Carroll & Graf)
"Welcome to Monroe" – A Kudzu Christmas by David Wallace (River City Publishing)
BEST JUVENILE
Shakespeare's Secret by Elise Broach (Henry Holt Books for Young Readers)
Wright & Wong: The Case of the Nana-Napper by Laura J. Burns and Melinda Metz (Penguin Young Readers – Sleuth/Razorbill)
The Missing Manatee by Cynthia DeFelice (Farrar, Straus & Giroux Books for Young Readers)
Flush by Carl Hiassen (Knopf Books for Young Readers)
The Boys of San Joaquin by D. James Smith (Simon & Schuster Children’s Books)
BEST YOUNG ADULT
Down the Rabbit Hole by Peter Abrahams (HarperCollins – Laura Geringer Books)
Last Shot by John Feinstein (Knopf Books for Young Readers)
Quid Pro Quo by Vicki Grant (Orca Book Publishers)
Young Bond, Book One: Silverfin by Charlie Higson (Hyperion/Miramax Books)
Spy Goddess, Book One: Live & Let Shop by Michael Spradlin (HarperCollins Children’s Books)
BEST PLAY
River's End by Cheryl Coons (Book and Lyrics), Chuck Larkin (Music) (Marin Theatre Company)
Safe House by Paul Leeper (Tennessee Stage Company)
Matter of Intent by Gary Earl Ross (Theater Loft)
Mating Dance of the Werewolf by Mark Stein (Rubicon Theatre)
BEST TELEVISION EPISODE TELEPLAY
CSI – "A Bullet Runs Through It, Parts 1 and 2", Teleplay by Richard Catalani & Carol Mendelsohn
CSI – "Grave Danger", Teleplay by Anthony Zuiker, Carol Mendelsohn, Naren Shankar. Story by Quentin Tarantino
Law & Order: Special Victims Unit – "911", Teleplay by Patrick Harbinson
Sea of Souls – "Amulet", Teleplay by Ed Whitmore
Wire in the Blood – "Redemption", Teleplay by Guy Burt
BEST MOTION PICTURE SCREENPLAY
Crash - Story by Paul Haggis; Screenplay by Paul Haggis and Bobby Moresco (Lions Gate Films)
A History of Violence - Screenplay by Josh Olson, based on the Graphic Novel by John Wagner & Vince Locke (New Line Productions)
The Ice Harvest - Screenplay by Richard Russo & Robert Benton, based on the Novel by Scott Phillips (Focus Features)
Match Point - Screenplay by Woody Allen (BBC)
Syriana – Screenplay by Stephen Gaghan, based on the book by Robert Baer (Warner Brothers)
ROBERT L. FISH MEMORIAL AWARD
Eddie Newton
"Home" – EQMM May 2005 (Dell Magazine)
GRAND MASTER
Stuart Kaminsky
ELLERY QUEEN AWARD
Brian Skupin and Kate Stine, Co-Publishers of Mystery Scene Magazine
RAVEN AWARDS
Black Orchid Bookshop (Bonnie Claeson & Joe Gugliemelli, owners)
Men of Mystery Conference (Joan Hansen, creator)
THE SIMON & SCHUSTER-MARY HIGGINS CLARK AWARD
Breaking Faith by Jo Bannister (Allison & Busby Ltd.)
Dark Angel by Karen Harper (MIRA Books)
Shadow Valley by Gwen Hunter (MIRA Books)
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11 comments:
Very cool. I'm pulling for Tess Gerritsen but Connelly will be hard to beat.
Hey, I found your books finally today at Kazoo Books in Kalamzoo....I picked up Play Dead & Sleep Tight.
i've read a few of the books. can't comment though since i'm a judge in another contest.
i remember thinking the CSI episode
Tarantino directed was really good. far-fetched, but i didn't care. i still thought it was great.
oh, and there's no way i'm going to go in and remove all those weird symbols. nope. nope. nope.
I thought that CSI episode was good too. I watched an interview with the actor saying that Tarantino would whisper things in his year to really creep him out to scream as he did when locked in the coffin. It's me, Kelly, I'm too lazy to log in blogger. ;)
Oops. whisper things in his "ear" not year. heh.
better than rear.
:D
Although the thought of T. whispering something into somebody's rear wouldn't really suprise me...
The Beatles were first with this rears ago, remember?
"Listen, do you want to know a secret?
Do you promise not to tell?
Closer, let me whisper in your rear" . . .and so on. :)
I don't know how these stories are nominated, but I'm both pleased and amazed to find David Wallace's A Kudzu Christmas "Welcome to Monroe" nominated for best short story. River City is a small publisher, and I didn't know anyone outside our area knew they even existed.
it is nice when a book by a small press gets recognized. i think anybody can enter the edgars, but i'm not sure how the judging process is handled. publishing houses often enter the books, i do know that.
I sent the edgars my handwritten, 10,000 page novel and they ignored it! What gives?
Actually, it's nice to see Tess in there, as well as Alison Gaylin. And, of course, St. Martin's made a nice showing.
As for screenplays, I'd have to go with Match Point and A History of Violence. Both are great movies and, to my mind, fit more with the Edgar than Crash or Syriana (which were also wonderful, but not really Edgar material -- am I wrong?). Unfortunately, I have yet to see The Ice Harvest.
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